What Is the Term for Insetting One Material Into Another in Art

Inlay covers a range of techniques in sculpture and the decorative arts for inserting pieces of contrasting, often coloured materials into depressions in a base object to class ornament or pictures that normally are flush with the matrix.^[one] A corking range of materials have been used both for the base or matrix and for the inlays inserted into it. Inlay is normally used in the production of decorative furniture, where pieces of coloured woods, precious metals or even diamonds are inserted into the surface of the carcass using various matrices including clearcoats and varnishes. Lutherie inlays are often used as decoration and marking on musical instruments, particularly the smaller strings.

Possibly the about famous case of furniture inlay is that of Andre-Charles Boulle (11 November 1642 – 28 February 1732) which is known every bit Boulle Work and evolved in part from inlay produced in Italy during the tardily 15th century at the Studiolo for Federico da Montefeltro in his Ducal Palace at Urbino, in which trompe-50'œil shelving seems to carry books, papers, curios and mathematical instruments, in eye-deceiving perspective. The similar private written report made for him at Gubbio is now in the Metropolitan Museum of Art.

Inlay in wood [edit]

Mother of pearl inlay into walnut burl on a customised Fender Stratocaster.

In a wood matrix, inlays commonly use woods veneers, but other materials like shells, mother-of-pearl, horn or ivory may also be used. Pietre dure, or coloured stones inlaid in white or black marbles, and inlays of precious metals in a base of operations metal matrix are other forms of inlay. Chief craftsmen who make custom knives continue a tradition of ancient techniques of inlaying precious metals; additionally, many new techniques which use gimmicky tools have also been developed and utilized likewise past artisans.

Intarsia inlay in woods furniture differs from marquetry, a like technique that largely replaced it in loftier-style European piece of furniture during the 17th century,^[two] in that marquetry is an assembly of veneers applied over the entire surface of an object, whereas inlay consists of small pieces inserted on the bed of cutting spaces in the base material, of which nearly remains visible.

Inlay on metals [edit]

The history of inlay is very quondam but it is still evolving alongside new technologies and new materials being discovered today. The technique of metallic in metal inlay was sophisticated and accomplished in ancient Mainland china as shown in examples of vessels busy with precious metals including this ding vessel (pictured) with golden and silverish inlay from the Warring States period (403-221 BC).

The French chiffonier maker Andre-Charles Boulle (1642-1732) specialised in furniture using inlays or metal and either wood or tortoiseshell together, the latter acting as the background. This type of inlay is known as "Boulle Work".

After learning the skill of smithing from the Navaho in 1872, the Zuni silversmiths cut small chips from crystals and gemstones, pearl shell and coral, to make inlay designs in a base of silvery.

In 1990, Vivienne Westwood was inspired by Boulle Work, the inlay of precious metals into or onto woods to create a collection with inlay in the manner of André-Charles Boulle.^{[ commendation needed ]}

Sun King Diamond Coating by Jean Boulle Luxury on a Bentley Azure in Monaco^{[iii] [4] [v] [6] [7]}

In 2016, a subsidiary company of Jean-Raymond Boulle discovered and has filed a patent^[eight] for a new type of diamond inlay in keeping with Boulle Work, subsequently produced by AkzoNobel for awarding on cars,^{[9] [10]} planes^{[11] [12]} and yachts.^[xiii]

The Inlaid Brass Ewer, signed by ʿAli ibn ʿAbdallah al-ʿAlawi, currently sits at the Museum of Islamic Art at the Pergamon Museum in Berlin, Germany. This 35 centimeter high jug can be dated back to the 13th century, during the Ayyubid dynasty, from about 1251-1275. It was produced in Mosul, in northern Iraq, a place that was known for its beautiful metalwork. The Inlaid Contumely Ewer was used forth with a basin, also signed by ʿAli ibn ʿAbdallah al-ʿAlawi, and both were nigh likely owned past a fellow member of the higher class to wash their hands before dining at court. This ewer, forth with a group of other inlaid brasses, can be associated with Mosul because of the abundance of artist signatures.

Technical Evaluation: The workshops of Mosul were known to have the finest bronzes, including ewers, basins, candlesticks, and others. These bronzes were inlaid with silver and aureate, and were decorated with intricate designs and inscriptions. While the technique of metalworking originated in Persia, the trade routes in Mosul shaped it. The earliest utilize of metalworking was with copper, merely with the improver of zinc, copper became contumely. In Islamic areas, brass was used to make large braziers and dishes, but soon became expert in creating ewers, basins, and other bronzes. These would then be decorated with gold and silver through the technique of inlaying. The process of inlaying a precious metal on elevation of a less precious one is evident on virtually of the bronzes that came from Mosul. A group of craftsman centered in Mosul created the Mosul school, which created an improved way of inlaying metals. This technique would bypass the earlier method of inlaying, especially when it came to silver. Strips of silver and gold were placed on undercut bronze and contumely pieces in a way that when finished would bear witness no irregularity. This technique was later brought to other cities, including Damascus. The technique of Damascene, named afterward the city of Damascus, involved the metal being inlaid to exist softer than the substrate metal; the look was created by hammering the metallic into an undercut hard metal. Past hammering in strips of gold and silverish, the brass ewers had predetermined patterns that were decorated. The Inlaid Brass Ewer's patterns and inscriptions include thrones, riders, and planets with their zodiac signs, and are inlaid with silver and gold. The motifs and metallic choices are very common for Mosul metalwork.^[xiv]

Inlay in stone [edit]

Cathedral Virgin Mary : inlays in contrasting colours of stones in pietra dura

The natives of Kerma (c.2500 BCE to c.1500 BCE) adult techniques for architectural inlays and glazed quartzite.^{[15] [16]} Pietra dura is the usual term in Europe for detailed inlays in contrasting colours of stones, including many semi-precious types; parchin kari is an Indian term. Pietra dura adult from the Roman Opus sectile, which was typically used on a larger scale, especially in floors. Cosmatesque work on walls and floors, and smaller objects, was a medieval intermediate phase, standing aboriginal opus alexandrinum.

Inlaid artefacts have come down to us from the Ancient Mayan civilisation, among them, jade, mother of pearl and onyx inlaid into stone during the era that arts reached a acme during the vii centuries from 200 to 900 Advertisement.

Inlay on fabrics [edit]

Vivienne Westwood created her Portrait Drove based on the furniture of Andre Charles Boulle.^[17]

Gallery [edit]

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  Pre-Dynastic Egyptian os figure with eyes inlaid in lapis lazuli; inlaid eyes are found in sculpture from many periods

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  Decaying wood inlay on a chest in a Greek monastery.

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  Egyptian bone plaque of a putto, with wax inlay, fourth century

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  Parchin kara (pietra dura) in stone on the Taj Mahal

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  Marquetry casket, Ottoman Empire (Istanbul or North Africa), 17th–18th century, woods, tortoise shell, bone, ivory Inlay.

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  Japanese netsuke in ivory with ink; the eyes are inlaid in beat out. 19th century

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  Japanese: belatedly 19th century, wood with ivory, tortoiseshell, mother-of-pearl inlays; manjū blazon

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  Mother of pearls inlaid article of furniture set in An Giang Museum, Vietnam.

See also [edit]

• Damascening
• Intarsia
• Marquetry
• Mosaic
• Niello
• Parquetry

Notes [edit]

1. ^ Oxford Companion to the Decorative Arts, 1975, s.v. "Inlay", "Wood-working (Special Techniques)".
2. ^ John Fleming and Hugh Honour, The Penguin Dictionary of Decorative Arts (1977) s.v. "Inlay".
3. ^ "Jean Boulle Luxury Sun King® Diamonds Lining a Bentley in Monaco". EBL NEWS. Retrieved 20 April 2017.
4. ^ "Jean Boulle Luxury Dominicus Male monarch® Diamond inlay on a Bentley in Monaco" (PDF). Jean Boulle Luxury. Retrieved 20 March 2017.
5. ^ "Jean Boulle Luxury Sunday King® inlay at Meridian Marques Monaco 2017". SG News.
6. ^ "Jean Boulle Luxury at Top Marques Monaco". Top Marques, Monaco. Retrieved xix March 2017.
7. ^ "Jean Boulle Luxury'southward proprietary natural Gem diamond inlay exhibited". Investors Africa. Retrieved 23 March 2017.
8. ^ "Oceanco's-projection Lumen shines with revolutionary Sun King® coating made from diamonds". Oceanco, line ii.
9. ^ "Bentley Azure painted with two one thousand thousand diamonds". News 18. 25 April 2017.
10. ^ "Jean Boulle: Diamond Luxury at Greater Heights". Aviation Week.
11. ^ "Jean Boulle Luxury Launches the World'due south Start Shipping Finished with the Sun King™ Natural Jewel Diamond Coating at EBACE 2017". Aviation Calendar week. 22 May 2017.
12. ^ "Jean Boulle: Diamond Luxury at Greater Heights". Aviation Week.
13. ^ "The Oceanco Lumen is a Superyacht Literally Bedazzled in Diamonds". RobbReport. 7 Nov 2017.
14. ^ "History of Brass Inlay".
15. ^ West SS, 'Glazed Faience Tiles establish at Kerma in the Sudan,' Museum of the Fine Arts, Vol.LX:322, Boston 1962, p. 136
16. ^ Peter Lacovara, 'Nubian Faience', in ed. Florence D Friendman, Gifts of the Nile - Aboriginal Egyptian Faience, London: Thames & Hudson, 1998, 46-49)
17. ^ "Vivienne Westwood 1990 A/W Drove : Portrait". Retrieved 23 March 2009.

External links [edit]

- metallic inlay

barnestrustold87.blogspot.com

Source: https://en.wikipedia.org/wiki/Inlay

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